Marxist Analysis of Black Panther

Authors

S.R. Jones, University of Washington TacomaFollow

Author Biography

S.R. Jones is a graduate of a communications program with a focus on media studies and research. Her work centers on the analysis of film and television, particularly how meaning is shaped through visual storytelling. She is continuing to explore media texts through research and writing.

Document Type

Undergraduate Research Paper

Abstract

This Marxist analysis of the 2018 Marvel film Black Panther explores the film’s underlying ideologies about African Americans. The film is known for its cinematography, action-packed choreography, soundtrack, and inspiring plot. On top of that, the majority of the main cast is African American. For many, this film represents progress. It has provided well-paying jobs to African Americans, a marginalized community with fewer opportunities in Hollywood. However, this analysis explores the aspects of this film that aren’t as acknowledged, that hide behind the excitement of a Hollywood plot, and may even contradict the praises that this film receives. Under the magnifying glass that is Marxism, one might notice the failure to acknowledge the dominant culture’s participation in Black oppression. In turn, this causes an unhealthy emphasis on Black-on-Black aggression, justifies economic disadvantages for the Black community, and perpetuates stereotypes of African Americans—hiding it all under the guise of entertainment and progress.

University

University of Washington Tacoma

Course

Undergraduate Research

Instructor

Independent Research

Recommended Citation

Jones, S.R. (2025) "Marxist Analysis of Black Panther," Access*: Interdisciplinary Journal of Student Research and Scholarship: Vol. 9: Iss. 1, Article 6.
Available at: https://digitalcommons.tacoma.uw.edu/access/vol9/iss1/6